I am almost 13 years younger than my next oldest sibling. This soon will become relevant. My parents’ musical interests were solidly in the country category. Actually, in retrospect, I’m not really sure what my Mom’s musical tastes were, beyond those of my Dad. The vinyl in our home was curated by my Dad. The smell of a vinyl record still evokes nostalgic feelings of warmth, tying back to my earliest memories of my Dad’s record collection. He had an affinity for bluegrass, but the artists that stood out to me were the deceased artists. He loved artists like Jim Reeves and Patsy Cline, both of whom died young in plane crashes. Throw in some George Jones, Tammy Wynette, and Loretta Lynn, and you get the general idea of his musical tastes.
Hey, you don’t know me, but you don’t like me.
This, of course, meant that any contemporary music I listened to around my parents was created/performed by country artists of that time frame. I was born in 1973, so my earliest memories of contemporary music were artists like Johnny Cash, Waylon Jennings, Willie Nelson, and Merle Haggard. I list these artists because I truly enjoyed the music. My country roots definitely fall into the rebellious, anti-establishment country of the day, with the Outlaw music of Cash, Jennings, and Nelson, along with the Bakersfield sound of Haggard and Buck Owens. The sounds were gritty, with the clang of a Fender Telecaster rattling behind some iconic songwriters and vocalists. Put Willie and Waylon together, and some true magic happened.
That was my dad’s contribution. During the early years of my childhood, there was one other person who influenced the music I would listen to and love to this day: my older brother. As mentioned, he is almost 13 years older than I am. He was my only sibling still at home during the first seven years of my life. He was also the one who would be left with the responsibility of babysitting his younger brother when our parents were otherwise engaged. He, too, loves music. Let’s just say that he didn’t listen to George Jones or Loretta Lynn very often. It was the mid-70s, and he was fighting his own rebellion against the world. As I remember it, as soon as the two of us were alone, the television went off and the stereo was turned on. I still smell the rich vinyl today as I write this. That, and well…a more pungent aroma.
Warm smell of colitas, rising up through the air.
With my brother came the powerful guitars and vocals of Boston. To this day, I cannot hear “More Than a Feeling” without the hair standing up on the back of my neck. There was the prog rock sounds of Kansas and the operatic offerings of Queen. I was banging my head to “Bohemian Rhapsody” long before Wayne and Garth introduced it to the majority of my generation, as young adults in the early ’90s. However, none of those artists compared to the band that I would associate most with my childhood, the Eagles. There was one album that my brother would put on that would leave me riveted. Hearing the raspy voice of Don Henley sing about the warm smell of “colitas,” rising up through the air in “Hotel California” left me mesmerized. To this day, it’s one of the strongest connections I have with my brother.
The Eagles would follow me into my adult life. I would become intimately familiar with their entire catalog of work. As a young adult, I would disengage from contemporary music, which we’ll explore later. The Eagles however, came along with me. Their songs were the first I learned to play on guitar. I knew of no other band that could harmonize quite like they could. The songwriting was complex and a tiny bit cerebral. Later in life I realized that the dynamic songwriting relationship between Don Henley (introspective and cerebral) and Glenn Frey (energetic and in your face) was the source of much of that complexity. It was the source of their magic. To me, they are in the same company as McCartney/Lennon and Simon/Garfunkel. As we travel along, it would become apparent to me that I gravitated towards bands and songwriting collaborators. The group dynamic has created the most magical music for me.
After my brother moved out of our home, I often had to find ways to enjoy what would be on the car radio when my parents were driving or whatever artist would be appearing weekly on Hee Haw. Country artists like Kenny Rogers and Alabama were staples during the early 80s. At some point during this timeframe, I got my first cassette player. Being incredibly in touch with what 7-year-old boys would enjoy for music, my parents bought me my first cassette tapes. We’ll not spend too much time on this segment as those cassette tapes were a collection of television theme songs, and a light-hearted collection of 60s & 70s country/pop songs. Still, I would spend hours listening to the theme song from M.A.S.H. and Jeannie C. Riley’s 1968 chartbuster, “Harper Valley P.T.A.” I was 7, what did I know?
Fortunately for me, and those of you that are following along, my musical interests would broaden greatly. Next up, we’ll look how the mid 80s through early 90s treated me. These would be my most formidable years, from age 11, into my early 20s. This period would include the first music which was primarily curated by me. Today, it’s still an era that I find myself visiting from time to time, though I view it through a much different lens today.
Up next: Nothin’ But a Good Time


