As this series approaches its conclusion, it should be clear to all how important music is in my life. Famed artist Jean-Michel Basquiat brilliantly stated, “Art is how decorate space, music is how we decorate time.” It’s a universal medium that reflects who we are as a person. It tells our story, even if it is often abstract. It is accessible to nearly every person, regardless of circumstance. Just as the books we read and the people we associate with tell a story of who we are, music can open the same door into a person’s soul.
So, cover me up, and know you’re enough to use me for good…
By 2013, I was 40 years old. Looking back, I can recognize that beyond this point, I didn’t incorporate any new hard rock or metal artists into my soundtrack. It’s not to say that I didn’t occasionally feel the urge to listen to the genre. I just simply didn’t identify with the new music that was being made. There was no connection. It wasn’t illustrative of who I was at that point in my life. Instead, I turned to more subdued sounds. Artists like Jason Isbell and Brandi Carlile began finding their way into my listening rotation. In my opinion, Isbell’s Cover Me Up and Carlile’s The Story are two of the best songs released in the past 20 years. Both are lessons in the songwriting craft and filled to the brim with emotion. Both were reflective of who I had become by this point in my life.
Another musical highlight during this period didn’t involve any specific artists. As my daughter became a little older, she started to develop her own musical identity. Even at an early age, it was clear that she possessed a knack for artistic expression through music. As a toddler, she would often break into impromptu performances for people, including strangers. Any elevated platform became a stage. It would turn that shy, timid little girl into an entirely different person. As such, we did what any thoughtful parents would do. We made her promise she would never play drums and sent her off to music lessons. Piano lessons turned into voice lessons. To this day, music remains one of the few topics that she and I can talk about, with enthusiasm and clarity.
As our daughter became a pre-teen, a familiar musical outlet would return, with a twist. We began to introduce the child to live music. Excluding a Kids Bop concert in 2013, the first real show we took her to was Taylor Swift. We tried to reach a happy medium when choosing shows. We would drag her to see Matchbox Twenty and Counting Crows. At the child’s urging, we would see Fall Out Boy. I finally got a chance to see Alanis Morissette live. Just as I enjoyed watching my wife dance around at a concert, I experienced the same joy watching my teenage daughter do the same.
Now solidly a trio, we introduced our daughter to musical theater. Prior to meeting my wife, I had only been to one Broadway touring production. As a couple, we were fortunate enough to catch Phantom of the Opera on Brodaway, during our first trip to New York City together. It started with touring productions of some of the Disney musicals. In 2015, we took her to see Aladin on Broadway. By 2021, we had season tickets to national touring productions, here in Phoenix. The child loved it. She loved it so much that she decided she wanted to perform on stage herself. At 14, she began performing publicly. When it was time for high school, we would send her to a performing arts school, that offered a college-level theater program. Today, at 16, I’m firmly convinced she could front a successful band. I couldn’t write this series without including her as one of my favorite vocalists to listen to.
Having a musically inclined teenager in the house has had other influences on the music I choose to listen to. Through my daughter, I’ve discovered other contemporary artists that I would most likely never have given much thought to. Hozier and Noah Kahan are perfect examples of this influence. As I write, perhaps the band I’m most excited about is boygenius. If you haven’t caught their first full studio album, The Record, you’re missing out. Their performance Satanist on this past weekend’s airing of Saturday Night Live was one of the best I’ve seen in several years. Then again, I’m a sucker for great harmonies and artists that write their own material.
Now that my musical preferences have been laid bare, for all to see, I find myself asking questions about why my personal soundtrack is the way it is. What attracts me to a specific song, genre, or artist? Are there patterns? What comes next? Why do I enjoy the Eagles more than Don Henley as a solo artist? Does my personality influence the music I like?
As I ponder these questions, there are some clues as to the answers. Obviously, environmental exposure has an influence. I doubt I would have developed a love for the Eagles without ample exposure to their music by my older brother. It’s unlikely that I would have attached to Hair Metal the way I did if my friends at the time weren’t entrenched in the music. However, environmental exposure alone cannot explain other patterns that have emerged.
Another pattern that has become apparent to me, is that I prefer artists that write and record their own music. While I can appreciate an artist’s vocal and musical talent, there is an authenticity present when they write their own material. It’s my bias, and I own that. It also takes nothing away from artists who record other people’s songs. It’s just my preference.
I’ve also noticed that I gravitate towards bands over solo artists. As illustrations, I prefer to listen to the Eagles or Matchbox Twenty over solo works by Don Henley or Rob Thomas. It’s not that I don’t like the solo artists. Boys of Summer by Don Henley is one of my favorite songs from the mid-80s, but even that was co-written by Mike Campbell from Tom Petty & The Heartbreakers. There is something about the collaborative songwriting process that can create absolute magic. Without the influences of Kyle Cook and Paul Doucette, It’s unlikely I would have otherwise been drawn to the songwriting of Rob Thomas and Matchbox Twenty. If a band can put forward multiple vocalists, like The Beatles, the Eagles, and boygenius, that’s even more impressive. As much as this element influences the music I have enjoyed throughout life, it doesn’t hold up as an answer all on its own.
And all I need now is intellectual intercourse, a soul to dig the hole much deeper…
This brings me to another factor…does my personality impact the music I like. My Myers-Brigg Type Indicator (MBTI) is INFJ. I’m a sensitive introvert and as such, I spend copious amounts of time within my own head. I suspect that music that would be considered introspective in nature, possess a natural allure to me. I can get lost in my own mind while examining the lyrics of a song. I’m a sucker for the skilled crafting of language. Songs that employ symbolism and metaphors are most likely going to interest me. The allegorical nature of many musical theater songs fascinates me. It’s not that I can’t enjoy a feel-good song of a less cerebral nature, as evidenced by my love of 80s Hair Metal, but it also explains why it’s not a genre of music I listen to frequently any longer. My personality preference wants a deeper connection, much like how I view personal relationships. For this reason, I usually find myself gravitating to the introspective songs of Gen-X.
A great example of how my personality influences my musical taste would be in examining the songwriting of Alanis Morissette. As I have come to understand myself better, and my MBTI, I have come to terms with the fact that I’m not a great example of what appeals to the masses. INFJ is considered the rarest of the MBTIs, with somewhere between 1 to 3 percent of the world’s population falling into this category. Break it down further, and being an INFJ male is even more uncommon (Most INFJs are women). I can be an enigma when people try to get to know me. In fact, the number of people on this earth that I consider close enough to actually understand who I am, can be counted on one hand. When I look at my soundtrack, there is only one artist out there that I listen to, whose lyrics come close to explaining how I think; fellow INFJ Alanis Morissette.
Two songs off Alanis Morissette’s Jagged Little Pill are the closest I’ve found that describe who I am. Every word in her song, All I Really Want, captures my desires in life. I have to wonder if Alanis knew she was an INFJ when she wrote that song with Glen Ballard. Being in her 20s when she wrote the song, it’s unlikely she knew. However, when I listen to those words, nothing has captured who I am, nearly as perfect as she did. Her song One Hand In My Pocket also hits close to home. I can be a walking contradiction. I’m equally comfortable watching football as I am watching a Broadway musical. I love humanity, but I can develop a severe distaste for people. I can be as steady as a rock in a crisis, but become overwhelmed with the unplanned trivial things in life. I cannot imagine failing to find a connection in the songs she writes. I’m thankful that there is someone out there like me, who is infinitely more creative than I am, that can speak my truth for the world to try and understand.
Where will my soundtrack go from here? I do not know for certain, but I imagine that the factors I’ve listed above will play a role. I know that I’ll always enjoy listening to my daughter sing. I can’t imagine not enjoying live music with my wife. I am excited to realize that even with 50 years under my belt, there are established artists that I’ve yet to appreciate. I’m also confident that whatever new music I come to enjoy will share similar introspective qualities as I love in Counting Crows and Jason Isbell. I’m not sure I’ll ever connect with another Alanis though. Perhaps, in another 10 years or so, I’ll share another chapter of my musical journey. Until then, my desire is that you take a few moments and think about the soundtrack of your own life. Ask yourself why you like the music you do. Does it connect you to a special time in your life? Does it remind you of a specific person? Does it give people a glimpse into your own mind? How well do you know yourself? Can music help you with your own self-discovery? There are no right answers, just as there is no right or wrong music. What is important is that we decorate time with our music. Appreciation for the arts is intrinsically human. I encourage each of you to embrace it, reflect upon it, and if gifted enough, create some yourself.