I debated whether the next four years (2000-2004) should have their own post or not. It was a small window of time and comparatively speaking, not as exciting as the previous five years. Yet, for reasons that will make themselves clear in posts to come, these years were distinctly different from the previous stages of my life and drastically different from what was to come starting in 2004. So, a separate post it is!
I feel ugly, but I know I still turn you on…
Entering the 21st century, I was still hungry for new music. The 90s were great, but I was excited for what was yet to come. Most of the music I listened to at the onset of 2000s was from artists I had started following in the 90s. Matchbox Twenty released their second studio album, Mad Season, in 2000. I listened to that album until I had every lyric, chord progression, and backstory memorized. Remember, when I’m interested in something, I deep dive. While their second album was notably different from their debut record, I still connected with it.
There were a couple of new bands that fit the 90s mold that started showing up on my radar. Lifehouse, The Calling, and 3 Doors Down all burst onto the Alt-Rock scene about this time. Probably the most notable new band (at least new to us in the U.S.) that caught my attention was Coldplay. While I enjoyed all of their music, I noticed my tastes began to drift in different directions.
One thing I was never really a fan of, was the testosterone-laden sounds of what I like to refer to as Bro-Rock. What is Bro-Rock you may ask? I would say that Limp Bizkit was the flag bearer. I just never connected with it. In retrospect, I can see the reasons why it didn’t appeal to me. Part of it was likely due to my personality type. Being an intuitive introvert, I definitely appreciate songwriting with an introspective edge to it. I love to listen to thinkers. I had also matured a bit from my Hair Metal days. Life, it turns out, was not one big party. Thank you, Hair Metal! I want my money back.
‘Cause I’m just a teenage dirtbag, baby…
What I did enjoy was the emergence of early 2000s Pop Punk. While I was never a big fan Blink 182, they opened up the airways to artists like Wheatus, Simple Plan, and The Used. Next to Matchbox Twenty and Counting Crows, I associate these bands with the early 2000s more than any others. It was definitely rock music and it was heavy on catchy melodies. While it lacked the introspection of my favorite songwriters, it was fun in a rebellious sort of way.
I also liked some of the heavier rock bands that sprouted up during this time. It would be the last time I curated hard rock bands into my life’s soundtrack. Bands like Disturbed and Breaking Benjamin were the most notable that I enjoyed. Soon after, bands like Trapt, Chevelle, and Shinedown joined that group. Again, while I enjoyed the tunes, these artists were not big on introspective songwriting. Another variable was at play here as well. These bands didn’t belong to Gen-X. This was the music of Millenials. While I appreciated the music in its time, I do not necessarily find myself going back to this genre of music today. That said, I wouldn’t necessarily change the radio dial when they came on.
So many castles to storm, so little time…
The early 2000s would also bring a broadening of my musical interests. Ok, perhaps it wasn’t a broadening as much as it was a reunion. The truth is, I’m not sure exactly how to classify it. The reason is due to the band primarily responsible for this broadening is hard to classify. In my most recent post, I wrote about The Refreshments. After their two albums in the 90s, the band had called it quits. The Gin Blossoms had also went on a hiatus in the late 90s. This left some out-of-work musicians on the Tempe Music scene, and they were not quite done making music. In 1998, the lead singer for The Refreshments, Roger Clyne, started playing acoustic sets at some of the local Tempe hotspots. Sitting in with him on these acoustic sets would be members from other local Tempe bands, like Dead Hot Workshop. With that seed, Roger Clyne and the Peacemakers would come to fruition. Joining Roger were The Refreshments drummer P.H. Naffah, guitarist Scotty Johnson from the Gin Blossoms, and guitarist Steve Larson from Dead Hot Workshop. In 1999, Roger Clyne and the Peacemakers put out their first independent album, Honky Tonk Union.
How to describe this new sound? Well, you could definitely see Roger’s fingerprints from The Refreshments. But this band went in a new direction all together, differing from the quirky rock offerings from the 90s. This was dangerously close to Country music. But to call it Country is not an entirely accurate categorization. Imagine Springsteen and Tom Petty sat down with Buck Owens and Steve Earle in the dusty, Mexican borderlands. Mix with copious amounts of tequila, and something unique, perhaps even magical, was born. Where the band really shined was in their high-energy, live performances. This band had fun making and performing music. Their rendition of Steve Earle’s I Feel Alright remains one of my favorites when I want to give the world the middle finger. Honky Tonk Union would join the short list of albums that I would want with me if I found myself deserted on an island, away from the rest of the world.
In 2002, the band released their second studio album, Sonoran Hope and Madness. The band evolved once more, moving away from the Bakersfield and Austin influences of Honky Tonk Union. If you want to learn a little more about what it is like living in the Sonoran Desert, this album will provide you with an artistic frame of reference. The songwriting was not solely focused on Arizona, but also on the special relationship we have with our cousins to the South. It serves as a reminder that the imaginary lines we draw on maps, do not define the people who straddle both worlds. In 2000, the band would head down Roger’s favorite destination, Rocky Point in Sonora, Mexico, and hold a concert in a dirt lot next to a local cantina. Deemed Circus Mexicus, the band still puts on this ever-growing festival each year, to celebrate life with fans from all over the country.
From the metal sounds of Disturbed to the weathered, soul-exposing offerings of Roger Clyne, perhaps no other period in my life saw such a diverse catalog of music. This period had also been one of the most challenging for me personally. Within the span of nine months in 2003 and 2004, I would find myself searching for a new career, dealing with the death of my Mom, and working through the catastrophic collapse of yet another relationship. I was at my lowest point; utterly directionless. What would come next would change my life forever. This time, however, what awaited wasn’t tragic or destructive. My maturation would get a kick in the pants and I would finally meet the first woman who seemed to really understand me.
Next Up: My Soundtrack Part VI: Accidentally In Love


